Friday, 13 July 2007

Warrrrrped!


The mastermind himself


Now I’m back in the Northern hemisphere, not quite in my hometown Stockholm yet – still on the road – but never the less: out of Seoul. I feel lonely. I feel tired. I feel a wreck without my compadres in the work shop! Splitting up from Seoul with a last night out was interesting but a bit sad. Saying good bye to Jooyoung felt unreal, it was kind of “I’m seeing her tomorrow anyway”. Splitting up with Jan and Bjørn in Frankfurt was like “They are going to grab a bite, I’ll see them later” and hugging Erlend farewell in Copenhagen was like saying good night or something. After a night when waking up in the middle of the night worrying about where the rest of the bunch had gone from the bed was the last token of my reluctant coming back to myself again. I’m like a part of a cell that has been split. This is the final achievement of Jan’s! Complete success. How can I retain my personality when I hardly can remember what it was before Seoul? And how much has it changed, and in what way/direction since? And what does that mean? Is it good or bad? Or completely uninteresting?

Some things should be blogged about before leaving the blog to itself though.

First some general remarks about our life in
Seoul.

Money does not matter. Or it does, but not much. I mean… well, first of all, you need cash to survive in Seoul. To use a credit card will add 15% to your tab, so you need cash everywhere. 65 Norwegian kroner equals 10.000 wons. If you exchange even a small amount of Scandinavian bills into Wons you’ll end up with a pile of 10.000 greens in a pimpy envelope in your hand. There is just no way of having a sound relationship with a stack like that. Either you feel extremely rich and start spend like crazy or you feel like you just won some cash in the Monopoly game and spend like crazy coz you know its not for real anyway. At the end of the day you’ll have spent a ridiculous amount of money – either ridiculously low or ridiculously much.

Food seems to be an issue for veggie foreigners like me. For those of you who has followed the blog here knows that my fellow bloggers has been mobbing me about my eating habits. Yes, I’ve hailed the nutritious Pringles from time to time, not out of a completely convinced mind but out of necessity. See – its not easy to order if you don’t speak Korean, and even if you speak Korean there are not many dishes on the menu that actually are pork-, chicken- or fish-less. And then there is kim chi. For those of you who still don’t know what kim chi is: find out. For those of you who don’t like kim chi: it takes time for some, but eventually you’ll be convinced about its greatness. It grows on you. And yes – you start to smell like kim chi after eating it.

Hierarchies have been a topic on our minds as you by now know. Being the oldest of the Scandinavian group as well as the only lady and additionally with some inherent diva princess attitude I have obviously stirred up some strong feelings in the Korean group about me taking care of the guy’s (my babies’) laundry. I’ve heard from several Korean participants in the workshop about how unheard of this is. I am fighting to make completely sense of it, but from what I understand, this is something very Scandinavian of me. This in turn makes me think about the quote “How very Scandinavian of me to think that I could organize freedom”. But to be honest – Jan, Bjørn and Erlend in particular were quite reluctant to leave their laundry to me. Why? Because of social hierarchies? Not sure. I’ve no problems with doing laundry, mine or others, if it is needed – why should I? Because I’m female and should be worried the other’s might place me in a “woman’s trap”? Bogus, I drink them all under the table anytime and have bigger balls than most of them anyway. Even if I happen to be the “big mama” – or “Mrs Hammer” with “Baby Bjørn” as our rampant little kid.

Jan’s lecture at Art Sonje for the personnel of the exhibition space where he’ll have an exhibition later this year about his art. Erlend and I had the pleasure to be around for it. Once again Erlend and I could conclude that the Korean art scene is completely gender fixed to be all about women. There are just no men in the art world at all – at least not that we have encountered. This is of course something about hierarchies too that needs to be figured out...


The Etiquette Belle installed in different bathrooms (at least for women). The bizarreness of the Etiquette Belle for me can best be announced in a Norwegian word best not translated: “prompe-skjuler”. What happens when you push the button is that you’ll hear a strong sound of a toilet flushing for approx three minutes. It is supposed to make the toilet a nicer environment.


The electronic market is pure heaven for geeks like me without much cash. All I can say is: yummy!



The aftermath post opening can most likely best be described with this image:


6 comments:

eunji cho said...

hope you all had a good time in Seoul.
i got the ring about the farewell party when i was away from Seoul.
it was pity that i couldn't have another good time with you, but i expect we see again near future.

i was really happy that we share the time 'La Dolce Vita'toghether.

powerekroth said...

:)) Miss you! Will hopefully see you soooon again though! All the best until then!

Erlend Hammer said...

About the gender thing in Korean artworld, maybe this is a too stereotypical assumption on my behalf, but could it be as simple as art/ cultural work being kind of low-status "women's work" while men are supposed to do serious stuff, like business. Then again, that might soon change if the market keeps doing well in Korea too. I remember reading a quote in the Vanity Fair "art issue" last December where someone was talking about how, in the New York moneyworld, art has been gaining cred as the market has been gaining strength. So that new collectors are now pulled to the artworld not just because it makes sense as an investment, but because art is given some new kind of legitimacy from actually being worth something that (to these people) is tangible. I.e. more money = more cred. Personally, I find this kind of cool, in some twisted perverse way. Relative value indeed.

Anonymous said...

as for the gender thing in Korea it sounds very quick judgemental but i understand cos u only stayed here just about three weeks...i also have to say that u've only seen a less than a quater of art scene here. there are pretty serious male artists around in Korea you havent seen tho. please come back and find more about it!!

powerekroth said...

Yeah - I know, that's what I also said - quick judgement from a very tiny fraction of the whole art world... And of course there were loads of male artists! But we never heard of, much less met, a male director or curator at a museum. In Sweden for instance, most directors are male and they reside over a harem of female curators and other employees. We were surprised not to have encountered one male person working in any of the galleries, museums or institutions that we encountered - and we did see quite a few - except maybe for cute Patrick at that gallery we went to of course... But the point here is also to try to push things a little to the end point too - we are after all complete foreigners in this new environment and we need to scribble down our notes of how we find it, even though we are aware about that we will only reflect our own negligence in the end... :)

Anonymous said...

haha!! sadly, cute patrick never came to see our opening tho.